Thursday, August 23, 2007
Tuesday, August 14, 2007
Congregational Singing
Helping congregations sing
by Ken Davis
Some congregations seem born to sing. Others do so reluctantly. Surprisingly, while numbers can help, there is no reason a small congregation or home group can’t sing enthusiastically. Whatever the size of your group, there are some things that can help.
Shrink the repertoire
At times congregational singing can suffer after a prolonged period of change. Too many new songs can stifle peoples desire and enjoyment of the familiar. If this happens it is time to take stock, and trim back the selection of songs used.
Develop strong song leaders
A good song leader can be an enormous help to ‘non-singing’ congregations. Their words and actions should convey a genuine enthusiasm for singing and leadership. A good singer is not necessarily a good leader, and vice-versa, however both skills can be learnt. Most important is an attitude of humility and a desire to serve and help the congregation.
Develop strong song leaders
A good song leader can be an enormous help to ‘non-singing’ congregations. Their words and actions should convey a genuine enthusiasm for singing and leadership. A good singer is not necessarily a good leader, and vice-versa, however both skills can be learnt. Most important is an attitude of humility and a desire to serve and help the congregation.
Congregational plants
The common image of a song leader is ‘the one up the front’, and that role is very important. However song leaders can be just as valuable in the congregation. Powerful, confident and enthusiastic singing can help others by providing cues for timing and pitch. It can also help mask the sound of the ‘non-singer’s’ own voice, which is a big fear for many. If your church has many good singers, encourage them to sit in areas of the congregation that don’t sing well, and to serve as encouragers and role models.
The power of words
Most people have been told they ‘can’t sing’ by the time they are teenagers. This leaves many feeling that they are vocally inadequate, and that singing is only for the ‘experts’. This is a powerful lie that robs many of the joy of one of God’s precious gifts. Singing is for all, no matter how good or poor the instrument.
I remember growing up in a small country church where the leaders encouraged us all to ‘make a joyful noise unto the Lord’. Despite having a rather inadequate voice (that has improved a little with training and practice), this was the encouragement that led me down the road of songwriting.
There are a number of ways our words can have a huge impact.
• We should regularly encourage from the front, and invite all to enjoy the blessings of singing. Tone-deafness is born mostly of fear. Even so, it is no reason not to sing. If we identify people with pleasing voices, we should tell them. Even if they never take the plunge to lead, just telling them will build them up and help them enjoy the gift of music.
• If we identify someone singing softly and shyly, even badly, we should commend them. Let them know that we were blessed by listening to them praise the Lord. Encourage them to keep it up.
• For those who quite clearly refuse to sing, we can gently ask them why, and listen to an often-painful story. We shouldn’t badger, but if we listen compassionately and honestly, a door may open to invite them back into the world of musical praise.
• Lastly, some will not make the journey. For them the fear and pain is too great. They may choose to simply enjoy the music that others make.
Singing from the heart
Music is an expression of joy and creativity within. It springs from an innermost being renewed by the spirit of God. He puts a new song in our heart. Our leading should be an expression of this joy and passion. If we allow ourselves to be moved and touched by powerful words and music, others will too. Simple gestures and movements can help unlock the fear and formalism that inhibit our praise. It is a fine line between serving the congregation expressively, and drifting off into one’s private devotional world. We need to remember that we are leading public and corporate worship. Nevertheless the reality we experience as we sing, influences the way others experience singing to God and to each other.
Too loud, too soft?
Technicians can’t seem to agree about the ‘correct’ volume to achieve the best participation. To some extent it may be governed by the age group. Typically youth like it louder. However there are problems at the extremes.
If the music and leaders are too soft, then the less confident may be inhibited by the fact that they can hear themselves. However being too loud has problems too. People may perceive that they are not needed, as the band makes all the noise. Also if you can’t hear yourself, it can be hard to pitch notes, and the vague sense of not singing in tune can be quite detrimental to enthusiastic singing.
In between the two extremes are ranges of volume levels that are comfortable, and can be ‘played with’ to see what works best. Other factors can be the composition and style of the band. An energetic band can encourage participation. However a way out, avant-garde ensemble may have exactly the opposite effect. A clear melodic lead can be a help, as can be simple as opposed to dense arrangements.
Another help may be to mike the congregation using a couple of condenser microphones and feed the sound of the congregation into the front of house mix. This gives the sense that more people are singing more heartily, and encourages others to join in. This is particularly effective for middle-sized congregations who can’t seem to make enough noise.
How do you do it?
In short the best way to get congregations to sing heartily is to provide good quality, enthusiastic leadership playing the songs they like in genres they prefer and by verbally encouraging people individually and as a group to sing wholeheartedly.
Sample Script
Who here has been told they can’t sing? (Pause). Did you know that most of you have been lied too! If you can talk, then you can sing. The Psalmist invites us to make a joyful noise unto the Lord. If you can make a noise, then make a joyful noise to the praise of our God as we sing…
by Ken Davis
Some congregations seem born to sing. Others do so reluctantly. Surprisingly, while numbers can help, there is no reason a small congregation or home group can’t sing enthusiastically. Whatever the size of your group, there are some things that can help.
Shrink the repertoire
At times congregational singing can suffer after a prolonged period of change. Too many new songs can stifle peoples desire and enjoyment of the familiar. If this happens it is time to take stock, and trim back the selection of songs used.
Develop strong song leaders
A good song leader can be an enormous help to ‘non-singing’ congregations. Their words and actions should convey a genuine enthusiasm for singing and leadership. A good singer is not necessarily a good leader, and vice-versa, however both skills can be learnt. Most important is an attitude of humility and a desire to serve and help the congregation.
Develop strong song leaders
A good song leader can be an enormous help to ‘non-singing’ congregations. Their words and actions should convey a genuine enthusiasm for singing and leadership. A good singer is not necessarily a good leader, and vice-versa, however both skills can be learnt. Most important is an attitude of humility and a desire to serve and help the congregation.
Congregational plants
The common image of a song leader is ‘the one up the front’, and that role is very important. However song leaders can be just as valuable in the congregation. Powerful, confident and enthusiastic singing can help others by providing cues for timing and pitch. It can also help mask the sound of the ‘non-singer’s’ own voice, which is a big fear for many. If your church has many good singers, encourage them to sit in areas of the congregation that don’t sing well, and to serve as encouragers and role models.
The power of words
Most people have been told they ‘can’t sing’ by the time they are teenagers. This leaves many feeling that they are vocally inadequate, and that singing is only for the ‘experts’. This is a powerful lie that robs many of the joy of one of God’s precious gifts. Singing is for all, no matter how good or poor the instrument.
I remember growing up in a small country church where the leaders encouraged us all to ‘make a joyful noise unto the Lord’. Despite having a rather inadequate voice (that has improved a little with training and practice), this was the encouragement that led me down the road of songwriting.
There are a number of ways our words can have a huge impact.
• We should regularly encourage from the front, and invite all to enjoy the blessings of singing. Tone-deafness is born mostly of fear. Even so, it is no reason not to sing. If we identify people with pleasing voices, we should tell them. Even if they never take the plunge to lead, just telling them will build them up and help them enjoy the gift of music.
• If we identify someone singing softly and shyly, even badly, we should commend them. Let them know that we were blessed by listening to them praise the Lord. Encourage them to keep it up.
• For those who quite clearly refuse to sing, we can gently ask them why, and listen to an often-painful story. We shouldn’t badger, but if we listen compassionately and honestly, a door may open to invite them back into the world of musical praise.
• Lastly, some will not make the journey. For them the fear and pain is too great. They may choose to simply enjoy the music that others make.
Singing from the heart
Music is an expression of joy and creativity within. It springs from an innermost being renewed by the spirit of God. He puts a new song in our heart. Our leading should be an expression of this joy and passion. If we allow ourselves to be moved and touched by powerful words and music, others will too. Simple gestures and movements can help unlock the fear and formalism that inhibit our praise. It is a fine line between serving the congregation expressively, and drifting off into one’s private devotional world. We need to remember that we are leading public and corporate worship. Nevertheless the reality we experience as we sing, influences the way others experience singing to God and to each other.
Too loud, too soft?
Technicians can’t seem to agree about the ‘correct’ volume to achieve the best participation. To some extent it may be governed by the age group. Typically youth like it louder. However there are problems at the extremes.
If the music and leaders are too soft, then the less confident may be inhibited by the fact that they can hear themselves. However being too loud has problems too. People may perceive that they are not needed, as the band makes all the noise. Also if you can’t hear yourself, it can be hard to pitch notes, and the vague sense of not singing in tune can be quite detrimental to enthusiastic singing.
In between the two extremes are ranges of volume levels that are comfortable, and can be ‘played with’ to see what works best. Other factors can be the composition and style of the band. An energetic band can encourage participation. However a way out, avant-garde ensemble may have exactly the opposite effect. A clear melodic lead can be a help, as can be simple as opposed to dense arrangements.
Another help may be to mike the congregation using a couple of condenser microphones and feed the sound of the congregation into the front of house mix. This gives the sense that more people are singing more heartily, and encourages others to join in. This is particularly effective for middle-sized congregations who can’t seem to make enough noise.
How do you do it?
In short the best way to get congregations to sing heartily is to provide good quality, enthusiastic leadership playing the songs they like in genres they prefer and by verbally encouraging people individually and as a group to sing wholeheartedly.
Sample Script
Who here has been told they can’t sing? (Pause). Did you know that most of you have been lied too! If you can talk, then you can sing. The Psalmist invites us to make a joyful noise unto the Lord. If you can make a noise, then make a joyful noise to the praise of our God as we sing…
Saturday, July 21, 2007
Thursday, July 19, 2007
Monday, July 16, 2007
Monday, April 2, 2007
Trinity Without Music Group - News
Trinity Without Music Group- Background Information
The ‘Trinity Without Music Group’, was formed in April 2005,
Our role is to to minister to the community through song. We lead the congregation in the singing in Ballybricken Church on the third weekend of every month,at the 7.30pm mass on Saturday evening. Practice is on Monday nights from 6.30pm to 7.30pm, in Mt Sion Monastery Barrack st Waterford City. if you like to sing or can play an instrument you are welcome to attend a practice night. You can email us at trinitywithout@hotmail.com
The audience/congregation are always encouraged to sing along as we are not there to perform but to lead.
Other ministries we provide are to Hospitals, Residential homes, and for special occasions such as weddings and community social gatherings.
Our Healing Sounds aims to provide an enjoyable and therapeutic diversion for patients, staff and visitors to the hospital/homes through a programme of high quality live music.
Trinity Without Music Group
Here are the original founding members.
left to right. John Flynn, Cathleen Morris, Henry Halligan (director) Br. Kevin Mascarenhas, Ellen Egan (junior group),and John Lee. Picture taken in Ballybricken Church.
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